For decades, children鈥檚 books in school libraries and classrooms have overwhelmingly featured white faces. And as the U.S. school-age population grows more diverse, students of color are less likely than white students to see books with characters that look like them or share their cultural background.
Some 糖心动漫vlog and children鈥檚 book authors are trying to change that.
Nonprofits like We Need Diverse Books advocate for children鈥檚 literature that better reflects the experiences of all young readers. In online communities, such as those formed around Twitter hashtags and , teachers, authors, and critics discuss which books are given to students in classrooms and what messages they convey. Even DonorsChoose.org, the school crowdfunding platform, recently pledged to .
The ripples of this ongoing conversation have reached a lot of classrooms, said Jess Lifshitz, a 5th grade teacher at Meadowbrook Elementary School in Northbrook, Ill.
鈥淢ore teachers now know it鈥檚 the right thing to have books that represent a wide variety of people,鈥� said Lifshitz. But, she added, 鈥淚 think people do that, and they kind of want to check it off the checklist.鈥�
Important Messages
Supporters of diverse books say that it鈥檚 important for children of color to see their own identities and experiences reflected in literature. And studies have shown that black children who receive messages emphasizing cultural pride鈥攖hough not necessarily through books鈥攈ave higher self-esteem, better social-emotional functioning, and increased classroom engagement.
But developing a truly inclusive classroom library goes beyond bringing in diverse books. 鈥淛ust having them on the shelf does not ... do that teaching or unlearning of the stereotypes that we are barragged with all the time,鈥� said Laura Jim茅nez, a lecturer in Boston University鈥檚 education school.
Following the civil rights and women鈥檚 rights movements, a call for multicultural education in the 1970s and 鈥�80s drove schools to incorporate texts that would challenge stereotypes about people of color and shed light on the historical injustices perpetrated against those groups, said Ebony Elizabeth Thomas, an associate professor in the University of Pennsylvania Graduate School of Education.
Those texts were meant to repair distorted narratives, said Thomas, but they can be painful for children of color to read because they often deal with traumatic events. Thomas has seen these patterns persist in the literature that students have access to today鈥攎any of the books about black people cover slavery or the civil rights movement.
鈥淭he white child gets all kinds of mirrors of the self in literature,鈥� said Thomas. 鈥淓ndless, countless adventures. The full range of history鈥攖he good, bad, and the ugly. Whereas other children only get a very narrow slice of that history.鈥�
Now, some 糖心动漫vlog are examining the composition of their classroom libraries as a whole and the stories that these books tell. And they鈥檙e asking their students to examine the stereotypes that they hold as readers.
Auditing the Classroom
The Cooperative Children鈥檚 Book Center, a library at the University of Wisconsin-Madison School of Education, has . Last year, 11 percent of children鈥檚 books published in the United States featured main characters who were African or African-American, about 9 percent were about Asian-Americans or Pacific Islanders, about 7 percent featured Latino main characters, and only 1 percent were about native peoples. That鈥檚 in contrast to the demographics of public schools today, where there are now more students of color than white students.
Even when teachers bring diverse books into their lessons, the broader context of a classroom or school library might still disproportionately favor white characters.
Noelle Mapes, a 2nd grade teacher at PS 142 in New York City, has found that to be true in her own classroom.
Three years ago, when she was teaching 3rd grade at a different school, she started conducting an annual diversity audit of her classroom library with her students. First, they looked at national trends in the racial diversity of children鈥檚 books, using the cooperative center鈥檚 data. Then, the elementary schoolers did their own tally in the classroom, recording the race of the protagonist of each book.
Mapes now does this activity every April, after introducing her students to the idea that books can be both 鈥渨indows,鈥� exposing readers to new worlds and perspectives, and 鈥渕irrors,鈥� reflecting readers鈥� own experiences鈥攁 framework developed by author and education researcher Rudine Sims Bishop, a professor emerita of education at Ohio State University.
Every year, the highest percentage of books feature white protagonists. And every year, students are surprised鈥攁nd disappointed.
In Mapes鈥� classroom, the overrepresentation of white characters isn鈥檛 for lack of trying to improve. The first year Mapes did the audit in her old school, students started bringing in books with protagonists of color to donate. As a result of her project, the PTA allocated funds for teachers to buy more titles. She also uses school-provided funds for her classroom to buy diverse books every year.
Over time, the percentage of diverse books in her old classroom increased, Mapes said. But when she left the school, books with white main characters still outnumbered books featuring characters of color in her classroom library. 鈥淓ach year, as that initiative grows, as awareness grows around what kinds of books we want to buy and have donated, the margins should decrease,鈥� she said.
Perpetuating Stereotypes?
In examining her classroom library, Mapes said, she鈥檚 also noticed some of the narratives that her collection shapes. In years when she has had the time, she鈥檚 gone through some of the categories of books with her students after the audit. When they looked at the books about Native Americans one year, she noticed a theme: All were set in the past.
That trend holds true across children鈥檚 books about native people, conveying the myth that they don鈥檛 exist anymore, said Debbie Reese, the founder of the .
鈥淭he idea that we can have present-day culture, modern-day society as part of our lives and still have our traditional religion and culture intact鈥攊t鈥檚 a no-brainer to me as a native person, but society has a hard time understanding that,鈥� said Reese, who is tribally enrolled at Namb茅 Pueblo. Characters also often aren鈥檛 named by their tribal affiliation, Reese said, which obscures the fact that there are more than 500 different federally recognized native nations, all with unique languages and cultures.
Some 糖心动漫vlog are asking students to interrogate these 鈥渟ingle story鈥� narratives that they may carry.
Every spring, Lifshitz, the Illinois teacher, around bias in books. She covers the titles on a handful of picture books in her classroom and poses some statements describing what the books are about鈥攕entences like: 鈥淭his is a book dealing with sadness and struggle and loss,鈥� or 鈥淭his is a book about the love and joy that exists between family members.鈥�
Lifhsitz鈥檚 students, who are majority white, are asked to match up each book with each statement, relying on cover art alone. Usually, the children guess that the covers featuring black families are about struggle, pain, or trauma鈥攅ven when they aren鈥檛.
Once the titles and summaries of the books are revealed, the students can usually explain what has happened in the exercise. 鈥淭hey鈥檙e willing to say, 鈥極h you know what, I was totally using skin color to make an assumption, and that鈥檚 what led me to the wrong answer,鈥欌�� she said.
Teaching students to think critically about the kinds of stories books are telling is just as important as having a diverse array of literature in the classroom, said Lifshitz.
No matter how much she works to confront stereotypes in her classroom, students are still going to confront them out in the world, she said. 鈥淚f I don鈥檛 give them tools to recognize that, having the books in my classroom isn鈥檛 really doing much to change how they鈥檙e reading outside of the classroom.鈥�
