The pandemic quite literally took some of the air out of many school music and band programs. But it has also provided new routes to engage students in music and school.
That鈥檚 one implication from a new study published in the journal . It looks at how secondary students have experienced music instruction via both traditional and virtual programs in the Los Angeles Unified School District.
Researchers analyzed students who participated in Los Angeles鈥檚 virtual middle school music program, or other in- and out-of-school music instruction in a descriptive analysis for an ongoing research series.
While students who participated only in virtual music showed smaller benefits, researchers foundthat higher engagement across multiple programs鈥攊n both formal or extracurricular music instruction鈥攚as associated with greater feelings of competence and connection to school among middle schoolers.
鈥淚n part, music may provide both an outlet for emotions and a different path to self-confidence for students working to recoup learning disrupted during the pandemic,鈥� said Beatriz Ilari, associate professor of music teaching and learning at the University of Southern California , and lead author of the study.
鈥淪ometimes, for the kid who鈥檚 not doing well in other things, music may be the place where that kid might thrive and feel, 鈥榦h, I can do this,鈥欌�� she said. 鈥淭here鈥檚 the hope those good feelings will transfer to other areas,鈥� though the study did not look at connections between students鈥� music engagement and achievement in other academic subjects.
The results come as many school districts debate how and whether to rebuild music programs that stalled during the pandemic. Many in-person school music programs have been considered high-risk activities in recent years, because group singing or using brass or woodwind instruments indoors can produce a high concentration of droplets and aerosols in the air, which some early studies found .
Prior studies similarly have found music instruction can boost students鈥� , but also that low-income students often havein or out of school.
Illari and her colleagues surveyed 120 students, the majority of them Latino, from more than 50 Los Angeles middle schools during the pandemic. LAUSD provided for secondary schools during the school closures, including delivering instruments to students鈥� homes and holding choral collaborations online.
Only about 3 percent of students had no music education at all. Rather, more than three quarters of students were studying some kind of instrument, either through formal music classes, from marching band and orchestra to mariachi; casual listening; and/or the hybrid virtual music program. Students reported on their feelings of competence, confidence, and connection to school鈥攊ndicators of well-being and 鈥減ositive youth development.鈥�
Gearing music to students鈥� interests
鈥淢usic is not a magic bullet, but I think offering access is important because it has a lot of potential for engagement ... and as an outlet,鈥� Ilari said. 鈥淔or pre-teens and teenagers, music becomes this very important badge of identity. It鈥檚 how they express themselves, it鈥檚 how they vent their emotions ... and how they also build communities around themselves.鈥�
Students also reported a wide range of musical tastes, from K-pop and rap to heavy metal and Western classical music.
鈥淭hat鈥檚 where I think many music programs sometimes need to catch up,鈥� Ilari said. 鈥淥f course, there鈥檙e some kids who love orchestra, band, and choir and that鈥檚 great ... but there are some kids who actually would like to be doing songwriting and mariachi and music appreciation at the highest levels. There鈥檚 room for a lot of exploration [in music education] for adolescents, maybe more than any other age group.鈥�
While most students in the study had just begun to learn an instrument in middle school, those who had started formal music lessons by age 8 either in school or in school-based extracurricular programs reported more 鈥渉opeful future expectations鈥� for themselves in school, the study found.
